Who is ishtars father

If that happens, Merlin and Quetzalcoatl will need to convince Ereshkigal to return Ritsuka and Mash. Ishtar notices that Medusa is absent but considers that it's for the best since she''d be powerless in Kur. She then blasts a large hole in the ground, sending Ritsuka and Mash down into Kur and following in after them.. Inside Kur, Ishtar explains they had to enter the underworld physically because it could be fatal if she teleported them, only for her powers to be sealed.

She notices there are more soul cages than before, suspecting the Alliance is responsible. But instead of asking binary questions that are fair and logical to test a soul's morality, the gates ask illogical ones with the answers being related to Ishtar and Ereshkigal.

After Ereshkigal is defeated, Ishtar is returned to normal size, and Gilgamesh is unbound from the underworld. Ziusudra then bisects Ereshkigal, though what he killed was her bond with the Alliance. The group then returns to Uruk.

At the ziggurat, the group immediately begins a strategy meeting for Gorgon. Once the Blood Fort is destroyed, Gorgon will lose much of her Authority. Merlin devises a plan to ensure that the axe hits its target. The group then travel to the Northern Wall to begin the operationn. Seeing the human-filed cocoons inside, Ishtar recognizes the contradiction of Gorgon using something more productive than humans to get revenge on them.

Tiamat herself would never use humans to get revenge on them. The group then fights Gorgon, with Medusa offsetting her Mystic Eyes with her own. With her defeat, the temple begins to collapse, yet she still lives thanks to her immortality. Medusa slays her with Harpe , seemingly dying in the process. However, the group soon learns Kingu has the Grail when they arrive. After the ensuing fight, spatial rifts suddenly open all over Mesopotamia. Merlin is suddenly injured, having trapped Tiamat in a dream to postpone her revival.

She created Kingu with hhe purpose of awakening her. Gorgon gained Potina Theron through synchronization, and with her death, Tiamat has awakened.

Tiamat found Merlin in her dreams and severely wounded him. After Kingu leaves, Merlin urges the others to warn Gilgamesh that an Evil of Humanity has awoken before disappearing.

Outside the Blood Fort, the group learns the Lahmu are spreading across Mesopotamia at an incredible rate. Ishtar goes to Uruk at supersonic speed ahead of Ritsuka and Mash. While she covers them from the sky, the others fight the Lahmu on the ground. The Lahum eventually leaves suddenly, so the group goes to the ziggurat. Ritsuka informs Gilgamesh of Merlin's warning.

Gilgamesh explains what the Evils of Humanity are, revealing that Tiamat is one of them. She hasn't fully awakened, though. Gilgamesh initially orders the group to go to the blackened sea. However, he changes it to Eridu after mentioning Siduri was taken there. The group arrives at Ur to find everyone dead. They head to Eridu, where they find the kidnapped victims gathered in the plaza. The group fights it to prevent it from flying to Tiamat and fully awaking her.

She has Ritsuka, Mash, and Quetzalcoatl go on without her. Gilgamesh contacting the others from Uruk reveals the sea level rose when Tiamat retrieved the Grail. The group then returns to the Persian Gulf. There They then fight Tiamat to stop her from launching a blast that will destroy Uruk.

They defeat her, only for her true body to emerge from the sea. She then walks towards Uruk, sending waves of the Chaos Tide across Mesopotamia. Understanding Tiamat is invulnerable, the group retreat.

Returning to Uruk, the group learns there are only humans left in Sumer. They learn Tiamat has a paradoxical protection, where she cannot die as long as life exists on Earth. He orders her to open a gate beneath Uruk. He suggests they hold Tiamat with Gugalanna while Ereshkigal completes her task. However Ishtar reveals she lost Gugalanna, who she was looking for when she first met Ritsuka and Mash.

Gilgamesh reprimands her for her incompetence and makes her hold a tablet that reads: " Worst goddess". Realizing they lack a way to combat Tiamat, everyone takes a break. Later that night, Ishtar speaks with Mash atop the city wall. She describes how the old him would never make a plan that relies on other people, comparing his current good nature to how he acted with Enkidu.

Ishtar reveals Rin knew about Chaldea, describing it as weaving together a story of the stars in the sky and this land.

She suspects that wish is why she felt she could work with Chaldea, reaching out its hand not to use but to know. She asks Mash if Ritsuka has special feelings for anyone, asking because Ereshkigal seems to be infatuated with them. Her infatuation is closer to imprinting, though, as Ritsuka was the first human who treated Ereshkigal normally.

At the Persian Gulf, the group struggle against the corrupted Ushiwakamaru and her clones. However, it reemerges from Tiamat, and she starts to fly using her horns.

Ishtar says they need to return to Uruk and come up with a new plan. But Quetzalcoatl says that would be useless since Tiamat can fly now. This confuses Ishtar, as Tiamat is the goddess of the Earth, unable to go near the heavens.

Quetzalcoatl tries to use Xiuhcoatl on her, but she is knocked into the Chaos Tide. Tiamat tries to fly to Uruk when Medusa, now as Gorgon, drags her down with her snakes. However, Tiamat still flies to Uruk, so the group rush there. The group return to Uruk to find Gilgamesh and a few soldiers are the only ones left. They rendezvous with him at Celestial Hill, where they witness the Chaos Tide flow in.

She wonders if Tiamat hates humans that much. Gilgamesh assumes Tiamat stopped being her old self the moment she turned into a Beast. When Tiamat arrives, Gilgamesh orders Ishtar to stand by in the sky, hover above the clouds directly under the sun.

Ishtar complies and departs, telling Ritsuka to keep a close watch on Gilgamesh. Seeing Gilgamesh still stand standing, but Ristsuka and Mash out cold, Ishtar prepares to scatter the Lahmu and help when Kingu attacks the Lahmu.

After Kingu sacrifices themselves to briefly bind Tiamat with the Chains of Heaven , Ereshkigal reports her task is complete, so Gilgamesh orders Ishtar to create a hole to Kur. After the Singularity is resolved, Ishtar finds Ereshkigal disappearing from the repercussions of her as the goddess of the underworld helping a living human for free. If she gets another chance, Ereshkigal may not have the same personality or memories she has now.

Ishtar then reunites with Ritsuka and Mash on the surface. She tells Ritsuka and Mash about her last conversation with Ereshkigal, who is now resting in Kur, and thanks the pair on her behalf.

She then asks Gilgamesh why he was in different getup when fighting Tiamat. Gilgamesh answers that was the him at his golden age, summoned by him on the verge of death. Ishtar is shocked when he gives his Grail to Mash before he disappears.

He says BB has likely taken his personality into account when creating them, so it is unlikely for that to happen. Ishtar is considered the greatest of the Sumerian goddesses. As Inanna, "The Mistress of Heaven", she once ruled the heavens in the god An's place and never lost in a battle of strength.

Only her Magical Energy. Maana is the boat of the gods that soars across the Mesopotamian World, and it is also an interstellar teleportation stargate gate that connects between Earth and Venus, but because she is a Pseudo-Servant, except during the occasion of using her Noble Phantasm , its warp function is normally sealed. Ishtar's major weakness is Gems. She lacks Golden Rule so despite her love for gems she has no luck when it comes to obtaining them.

Although Gilgamesh has no particular high hopes for her assistance against the other members of the Three Goddess Alliance, her Gugalanna Strike is an entirely different matter.

Ishtar, Goddess of Venus, in summer garb. A summer festival is a state of popular frenzy Truly a goddess-like goddess, she organized a grand event after being moved by the people's piety. She's also a kungfu-style goddess who moves her body nimbly and thrillingly, and burns rubber on her modernized Boat of Heaven Maanna.

Truly a goddess among goddesses who graciously and generously blesses all those gathered at the venue. What is that smile really hiding? As always, a goddess whose feet don't quite touch the ground.

The hoodie apparently covers a white high-leg swimsuit. Goddess Ishtar is a free sprit. Elegant, audacious, and rather cruel. Yet the present-day outfit mitigates slightly her divine nobility and terrifyingness. Merrier and more magnanimous than usual, she's friendly. Although Ishtar takes an interest in her Master for being a hero with a promising future, she says she's sometimes puzzled, wondering " How come such an average Joe turned out to be a hero?

The Ishtar Cup, a summer festival. It was an enormous ritual for reviving the Bull of Heaven Gugalanna , a familiar of Isthar's. Ishtar lost Gugalanna when disaster struck the Mesopotamian World, meaning a complete loss of face for her. Since then, she must have been waiting vigilantly for a chance at revenge.

And what happened this time is a result of that. Goddess Ishtar secretly borrowed a ritual utensil from the Babylonian treasury and converted it into a Holy Grail , with which she spread her Venusian texture upon the soil of Connacht. Her plan was to create Gugalanna once more by having mighty Heroic Spirits offer thanks to the land by racing across it.

Revamping the Temple of Ishtar as a gigantic magical energy resource accumulation circuit was part of this. Gilgamesh asks why he should expect to fare any better. Ishtar is furious. She goes to her father, Anu, the god of the firmament, and to her mother, Antum, and demands that they let her use the Bull of Heaven.

She wants to turn the bull loose so she can watch him gore Gilgamesh to death. Her father does not understand her anger, since all that Gilgamesh said was true. Ishtar erupts into a full-blown tantrum.

She threatens to let all of the dead people out of the underworld so they can feast on the living, unless her parents give her the bull. Still Anu hesitates. He warns her that the bull will cause seven years of famine. Ishtar assures him that she has made provisions for the people and the flocks of Uruk, and he gives in.

Ishtar unleashes the bull. The city of Uruk trembles as, bellowing and snorting, it comes down from the sky. A crack opens up in the earth, and one hundred men fall into it and die. Again the bull bellows and again the ground cracks open. One hundred more men are swallowed up. For the best experience on our site, be sure to turn on Javascript in your browser. Ishtar, the goddess of love and war, has a small, devastating role in the epic.

She basically lets all fire and brimstone loose, which leads to a clash with Enkidu and Gilgamesh, which in turn leads to Enkidu getting the death penalty from the gods, which in turn sends Gilgamesh off on his failed quest for immortality.

It all gets started when Ishtar develops a mammoth crush on Gilgamesh after he and Enkidu return from killing Humbaba. Ishtar isn't shy about making her feelings known: she marches right up to Gilgamesh and asks him to marry her. Bold gal. But Gilgamesh launches into a tirade against her, basically claiming that Ishtar is a marauding sexual predator who falls in and out of love at the drop of a hat, and always inflicts horrible punishments on her ex-lovers. For some reason, Gilgamesh doesn't mention that he used to be something of a marauding sexual predator himself.

Ishtar doesn't really appreciate his interest in staying single. So, she speeds on up to the highest heavens to talk to her daddy, the sky-god Anu. What does Ishtar want? Ishtar is described as taking many lovers; in the Epic of Gilgamesh , the hero refuses her advances, enumerating the grim fates of her other lovers.

These are difficult to define; they can be characterized as divine powers, properties, or principles that enable the continuation of order, institutions, and thus organized civilization. As the practice was recounted only in literature, it is unclear whether it was purely symbolic or an actual reenactment. In art and texts, Ishtar is depicted supporting favored rulers in battle. Kings may have invoked their devotion to her in order to legitimate their rule.

The actual practices associated with her cult are not well documented in ancient records. As the goddess of sex, Ishtar may have been connected with sexual practice in cults, in a way that is not yet fully understood. Past popular and scholarly literature often refers to her association with prostitution. Scholars suggest she incorporates contradictory forces to the point of embodying paradox: sex and violence, fecundity and death, beauty and terror, centrality and marginality, order and chaos.

Ishtar, in all her variety and contradiction, was a central figure in ancient Mesopotamian religion and culture for millennia. Ishtar, the great Goddess of Mesopotamia, is represented at The Dinner Party through architectural motifs. The stepped edges mimic the ascending stepped levels of a ziggurat, while the interior edge of the arch is done in brick stitch, a reference to the glazed tiles that cover the Ishtar Gate. The runner is outlined in black braid, which also acknowledges the ancient technique of braiding.

The gold represents her grandeur and also echoes some of the colors of the Mesopotamian architecture and landscape, while green is her sacred color. On the plate, she is depicted as the positive female creator with multiple breast-like forms that allude to her role as a giver of life.